notes from the offline

a few words on video editing

With countless new delivery modes for clients, one thing I love about Adobe Premiere CS6 is the ability to make custom sequence sizes and the ease with which you can edit real time within such bespoke projects. Recently we were asked by a client to…

Custom Sequence Sizes in Adobe Premiere CS6


I’ve been lucky enough to work as the editor of a show called Live From Abbey Road for the past 3-4 seasons, working with a great team of people and editing performances from some of the best musicians, bands and solo artists in the music…

Diogo Barbosa from Brazil

kill bill2

Way back in 2004, whilst working as a staff editor at Abbey Road Studios, cutting projects on the lovely Media 100 844x, I was commissioned by Universal Music to cut a TV advert for the soundtrack albums to the Kill Bill films, to coincide with…

Something from the archive ….


This is another one of my highlights from the first season of Abbey Road Studios: In Session with VW Beetle, which we finished post-production on earlier in 2013.  My job working working as an editor in music often means I’m working on jobs for bands…

The Wonderful First Aid Kit

The brilliant Beverley Knight performing Twist & Shout.

On Monday of this week, we were hired to perform DIT and editing duties on a very special  recording session at Abbey Road Studios, marking the 50th anniversary of the famous 12-hour session that resulted in The Beatles’ debut album Please Please Me.  That’s right…

12 Hours To Please Me


When we’re hired by someone to edit their content, increasingly we’re being asked to attend shoots and perform DIT duties.  So we opted for an HP Z1 as our portable machine to take on set to carry out the transfer of rushes.  I say portable…

Flight Case for Z1


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